About: Artist June Kluglein

M.A., Fine Arts, University of Minneapolis, MN
Professional Studio Studies in Ceramics and Fibers, Appalachian Center for Crafts, Smithville, TN
B.A., Ceramics Emphasis, University of Colorado, Boulder, CO

In the past I tried all the traditional methods and subjects watercolorists utilize. Recently, my work has been referred to as watercolor drawings. After finding a natural object like a nest or leaf I photograph it. A photo helps me "see" more, but aside from that, I'm particular about the shadow it casts - that shadow is the necessary anchor for my subject. Another reason for photographing an item, such as a leaf, is that the shape and color [will] change before I start or complete the work. After that, a detailed drawing on cold press illustration board is made using a 2H or HB pencil. For the most part, the painting is done with a dry brush and it is not unusual for a painting to take more than one hundred hours.

Several years ago, I discovered lithography and liked the idea and feeling of working on a piece of limestone. As with watercolor, first a photograph is made and then a detailed drawing of my subject. I then trace the drawing onto the stone in the reverse of how it will look when painted. Since sharpening the wax-resist litho pencil has to be done so frequently, some twenty-five pencils are utilized. A hand-sharpener, and then a razor blade, is used to make a fine point. After using the pencil a few strokes it has to be sharpened again. It takes about thirty to thirty-five hours to create a bird's nest on a stone. A Master Printmaker does the actual printing for me. I frequently handcolor them in watercolor.

I enjoy all the arts, most especially classical music and all forms of dance. I have a deep feeling for all elements of nature and enjoy walking in the woods and on our beaches. I find reading most relaxing and enjoy biographies. I am socially concerned and very aware of those who aren't as fortunate as me. I support groups like amnesty international and also environmental groups. I feel blessed to be living on Eastern Long Island and doing what I do.

Aside from doing something I love and finding great satisfaction in doing it, there is further fulfillment because I am largely self-taught. Art is sharing and a form of escape for those who view it. Just as music or a poem can be an emotional or spiritual experience so is looking at art. The feeling a piece conveys is, to me, the criteria of a fine artwork, be it realistic or abstract. I enjoy hearing how people react to my work.

It was inevitable that after painting subjects using various techniques, that I would concentrate on something closer to my heart. Ultimately my focus was on nature. Being an environmentalist for many years, what I presently do is a link with my beliefs and concerns for the planet. I began painting abandoned nests, desiccated lace-like leaves, grapevines, etc., not cognizant at the time that I was trying to make people aware of their surroundings, how precious it all is and how we must protect it. There is little in nature that isn't beautiful - in some way - during all seasons. I feel blessed by what I see and try to convey my observations in my paintings for all to enjoy.

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