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The World of Art: Galleries - Museums - and Works by Contemporary Artists

About: Artist Robert Welsh

New England School of Photography, Boston San Francisco Art Institute

Raised in a working-class Boston neighborhood, Robert Welsh is largely a self-taught photographer who participated in occasional classes at the New England School of Photography and the San Francisco Art Institute.

Using a 1950's 635 Yashica twins lens reflex camera, Welsh gives viewers intimate glimpses of Chinese culture in San Francisco, New York City, and China by capturing simple, everyday moments in these communities. Welsh's photographs serve as a kind of "auto-topography" by exposing people's personalities through images of the material belongings that surround them. His work has received numerous awards and is included in museums and private collections around the world.

I use a basic early 1950's 635 Yashica twin lens reflex camera. This is a 2 ¼" square negative camera with a standard 80mm lens. I do not use any lens attachments. Occasionally I will use a close-up #2 lens. The color film that I use to photograph is with Kodak Portra 160NC and 400NC 120 film. I print my work on the Kodak Supra N surface semi-matt 16 x 20 color paper. I have recently tried to Fugi Crystal Archive Pro Type C color paper 16 x 20. I am very happy with the results.

China: Having been exposed through my wife and her family to Chinese culture and tradition as they have been translated in the United States, I looked forward to being a part of their sojourn to China.

I experienced a land filled with ancient traditions yet struggling to become modern. Though China is on its way to becoming modern, progress seemed to move slowly, as did the pace of daily life. It seemed that one could bear witness to the old becoming the new.

I spend twelve days exploring the streets of my father-in-law's village, Zhongshan. He immigrated to America when he was eighteen. We found his boyhood home with many of the family's relics still intact. It surprised me that, though the house had been empty for many years, no one had touched the family's possessions. I could hear the pride in my father-in-law's voice as he showed me the house in which he grew up. The realization that one could leave property far behind, trusting that no one would disturb it, was profound for me.

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