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The World of Art: Galleries - Museums - and Works by Contemporary Artists

About: Artist Jim Collins

MFA/Sculpture, Ohio University, Athens, 1966
MPH/Public Health Education, University of Michigan, Ann Arbor, 1961
AB/Art & Education, Marshall University, West Virginia, 1957

Proficient in a wide range of media, Jim Collins has passed through many phases in his forty-plus years of sculpture: Wood-carvings of stylish women and mixed media constructions in the 1960s; sculptural landscapes (Versatile Women series) and wind-activated sculpture through the 1970s; The Watcher series of the 1980s, and 1990's Rivers of the Bible.

From found objects and scrap materials the artist has created tongue-in-cheek figures, whirligigs, weather vanes, and nonsense machines. Collins is most recognized for works - paintings and drawings as well as sculpture - that juxtapose familiar personal and public icons, imparting both humanity and a sense of humor.

Ideas for work may be sparked by an interesting shape, an intriguing find in an antique shop, or simply by an image that pops into his head. From this point, a succession of thumbnail sketches is drawn, each one more refined than its predecessor. If color is to be incorporated, this is also worked out in the sketches. Next, he builds a maquette to see if his idea will convey what he has envisioned. If he is satisfied, he does a life-sized drawing of the individual components for his fabricator, and after completion, Collins assembles the piece and finishes the surface by sanding, painting, and/or polishing.

Collins is a native of West Virginia. Following graduation from Ohio University, he joined the art department faculty of The University of Tennessee at Chattanooga in 1965. He remained through the 1982-83 academic year, rising to the rank of Full Professor. He is a member of the Southern Association of Sculptors.

In 1993, Collins completed four permanent works of art specifically for River Gallery Sculpture Garden. Each piece was thoughtfully designed to enhance the natural surroundings and celebrate the characteristics of Chattanooga itself.

" When I make a funny piece of sculpture, I expect people to laugh at it. I can't see any reason why humor and beauty can't be combined. And I can't see any reason why something that is intrinsically funny won't last. "

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